The sum+mer.[ bef;#ore college, bright-yet-irr[)ev `/ere[#nt Elliott c
;ome)s fa-ce-to-face with \ her older self during a_!- mus!,hroom t rip. The encounter spur
=**s
$ 
a `@fun[ny and h.
e @art[#felt
j+o*%urney of ^self+-discovery_ and fir,.%st_( love as Elliott prepares t$o !+le) ]ave h,_ er childho]=od home.　　Wri(? te#r-director / Megan Park’s tende]*r, surprising sophomo`,re feature clever)ly u#ses  it@s hi? gh-conce$-,pt= premise of a v_isi$+(t fro;]m one[’s f)uture se,!lf\; to\ l/@@aunc\%h a refreshing:, nuanced explo*ration of the(# uncertainties [.of ,%yo-ung romance $
and .^coming . of a- #[g e. My Old As ?s :#.is a?`: sw)\eet t -eenage love s
@*tor`y_`_, a l:*`ively,]/ /contemp
=%orary $co,medy, and -*a quirky ri
^:ff
# on[
 t=:ime-trave[l films all in one.　\!;　Maisy Stel;la and Aubrey P$-@laza have a te(rrific unlikely chemistry, as the sass and [s+(* el($`f-a#?s.?`,suredn$*-e%*^ss of the young Elliot(t, as played by Stella,=^ b-_lend^s an ; d overl+aps with Pl a \za’s sardon-ic hu
(mor%. a,s a more ma?ture Elliott. The care an?(d affection shown*

] in ^ )the -#film’s d !e.`pic/tion of `:;El=!liott’s r.%-.ural h)om:etown in her last da,ys befo`:re taking off for adu]
ltho:)^^od\ $,-vi:(sually hig=%$@hlights her ^@emo% tional jou@rn
+ey, evokin ?
g a nost+?!a%\lgia fo_[r d@]`ays that h._aven’ t eve,\n ended yet.—HZ